Google generally supports the two previous versions of Android along with the current version. Those phones, hundreds of millions of them, were and are inherently unsafe to use. This leaves as many as 40% of Android devices worldwide running older versions that no longer get security updates. Nonetheless, it's much better than what we saw in April 2017, when only a third of Android devices were running supported OS's. That's only about 60% of Android devices getting regular updates, at least in theory. However, the current Android 12 wasn't running on enough phones to register. In February 2022, per Statista, Android 11 was running on 37% of Android devices, Android 10 had a 24% market share, and Android 9 Pie had an 12% share. Per Samsung's recent support statement, they should be good to use until the middle of 2023.Īnother problem with Android devices is that older versions of the Android OS stick around for a lot longer than they should, as phone makers often ship second-tier or budget phones without the latest version of Android.īecause of this, many users start from behind and fall even further back as manufacturers, carriers and users themselves fail to implement system updates. The oldest Samsung Galaxy phones to be on the monthly update cycle are the Galaxy 10 and Galaxy Note 10 series, both launched in the first half of 2019. They've likely got several more months of security updates, as phones often move to the biannual-update track before going completely out of support. The Samsung Galaxy S9 and S9+, released in March 2018, were on Samsung's quarterly-update track as of March 2022, although they go only up to Android 10 officially. Both phones shipped with Android 7 Nougat and can be upgraded to Android 10. But its Lite version, released a few months later, still gets biannual security updates as of March 2022. You might get nearly four years of updates with Samsung's older flagships.įor example, the Samsung Galaxy S8, released in April 2017, is done with updates. Samsung's own security-update chart shows the company already gives a longer period of support than Google does, even with pre-2019 models. (Those who bought Google's Preferred Care service plan got updates until April 2021.) Pixel 2 owners who want to keep their phones alive should check out the Lineage OS project, which ports Android updates to older devices. The Pixel 2, released in October 2017, got its last official update in December 2020, but it could be updated to Android 11. However, the original Pixel, released with Android 7 Nougat in October 2016, did get Android 10 in September 2019, and its last official Android security updates in December of that year. Google has a timeline of how long each Pixel device will get updates on its support site.įor example, the current version of Android, Android 12, released in October 2021, won't run on phones that have less than 2GB of RAM. Nor is Android 12 supported on the Google Pixel 3, which was released in October 2018. Only Google's own Pixel devices are guaranteed to get the latest Android security updates on the day the updates are released, although the latest Samsung, OnePlus and Motorola devices are often not far behind.
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However, here, it is revealed pretty early that a group of teachers has decided to write the Gossip Girl column to keep their students in check. In the original series, the mystery around Gossip Girl’s identity serves as one of the main drivers of the plot. One key difference between the two shows is the identity of the titular Gossip Girl. Like the older show, the plot in the new one also revolves around a group of Manhattan-based private school students. The newer show is set about a decade after where the original show concluded. HBO Max’s ‘Gossip Girl’ expands the universe of ‘Gossip Girl’ and serves as a standalone sequel to the original series. Gossip Girl (2021-) Image Credit: Karolina Wojtasik/HBO Max Sex and intimacy are prominent aspects of storytelling in ‘Generation.’ The series creators Zelda Barnz and Daniel Barnz approach the issues of Gen-Z high school students with considerable earnestness, but their intent is lost due to the poor execution. The show explores their sexual curiosity, social beliefs, and the desire to leave a mark on the world at large. The story revolves around a group of high schoolers in Orange County, California, each with their individual aspiration and hope. ‘ Generation’ or ‘Genera+ion’ is a short-lived series that squandered its promising start by being a bit too sanctimonious. Generation (2021) Image Credit: Jennifer Clasen/HBO Max If you are looking for the sexiest adult TV series, here are some of the best ones you can find on HBO Max.ġ3. Since its launch in May 2020, HBO Max has become a prominent streaming service in the US and beyond, with one of the most impressive libraries of films and TV shows. However, HBO and HBO Max are still the leaders in platforming “quality” risqué content. The advent of streaming services and the freedom they provided the creators ended HBO’s near monopoly on risqué content. For example, if you add a 1 mL sample to 9 mL of diluent to get 10 mL of solution, DF V i V f 1mL 10mL 1 10. The dilution factor or the dilution is the initial volume divided by the final volume. The highly concentrated solution is typically referred to as the stock solution. In serial dilutions, you multiply the dilution factors for each step. Consequently, the molarity is one-fifth of its original value.Īnother common dilution problem involves calculating what amount of a highly concentrated solution is required to make a desired quantity of solution of lesser concentration. A serial dilution is a series of dilutions made sequentially, using the same dilution factor for each step. One of the most common series doubles the dilution factor with each transfer (1:2, 1:4, 1:8. A small amount of serum or solute can be serially diluted by transferring aliquots to diluent. Serial dilutions are also commonly used to avoid having to pipette very small volumes (1-10 µl) to make a dilution of a solution. Serial dilution is a common technique used in many immunologic procedures. For example, if A 280 says you have 7.0 mg total protein/ml, and you think the protein could be anywhere between 10 and 100 pure, then your assay needs to be able to see anything between 0.7 and 7 mg/ml. Serial two-fold and ten-fold dilutions are commonly used to titer antibodies or prepare diluted analytes (for a standard curve for example). 2 for the specific serial dilution experiment (i.e., 10, p 1, d plate 10cm), for other serial dilution parameters the figure RE n must be redrawn (since k is a function of, p, d colony, d plate see Eq. The solution has been diluted by one-fifth since the new volume is five times as great as the original volume. Before making serial dilutions, you need to make rough estimates of the concentrations in your unknowns, and your uncertainty in those estimates. This range can be obtained pictorially from Fig. Unleash your gaming potential, discover new worlds, and embark on unforgettable adventures. With a Steam Wallet Gift Card, the power to customise your gaming experience is in your hands. Stay Up to Date: Receive automatic game updates, patches, and new content releases, ensuring that your gaming experience is always fresh and exciting. Show off your gaming achievements and let your personality shine.ĥ. Personalise Your Profile: Customise your Steam profile with unique backgrounds, badges, and emoticons. It can be used to buy games, software, hardware or any other item available from. When you dont know what games they want, or have, just pick up this easy-to-use gift card and let them do the rest. 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Une quatrième partie présente plusieurs exemples de traduction d’un genre littéraire vers un autre, d’un média vers un autre. Considérée principalement comme transfert culturel, la traduction peut en effet être abordée au-delà de sa dimension purement linguistique. Une troisième partie, consacrée à la traduction des textes religieux au quinzième siècle en Angleterre, et dans une moindre mesure en France, met en évidence la dimension politique de l’activité de traduction à cette période. Il considère ensuite le phénomène du bilinguisme et la relation privilégiée que l’Angleterre entretient avec le continent, en particulier avec les traditions littéraires française et italienne. Il aborde tout d’abord une étude de la traduction de textes du haut Moyen Âge. C’est cette curiosité positive que le présent volume cherche à mettre en valeur. La codification du processus de traduction en tant qu’appropriation, transformation ou accommodation, fait insuffisamment ressortir le rôle essentiel de la curiosité et de l’intérêt qui sont à l’origine de tout acte de traduction. Les traductions du latin vers une langue vernaculaire, ou d’une langue vernaculaire vers une autre, ou encore d’une langue vernaculaire vers le latin, constituent quelques-unes des nombreuses formes de la traduction au Moyen Âge. Aucune autre période ne semble autant dépendre de ce procédé littéraire pour la construction de son identité culturelle. Les communications présentées dans ce volume témoignent, par leur agencement, de la vitalité de l’activité de traducteur au cours de la période médiévale, ainsi que de l’inventivité de la recherche actuelle dans l’étude de la traduction en général. They also point to new ways of considering this literary process, and by praising diversity and difference, they suggest a less traumatic way of reading Babel than is usually implied. The contributions to this volume provide some answers to conundrums in the theory and practice of translation encountered during the medieval period. The fourth part of the volume deals with several instances of translations from one genre into another, and from one media into another. Understood more particularly as an act of cultural transfer, translation activity can also be considered beyond the linguistic process. The third part of this volume tackles the problem of fifteenth-century religious translation in England and, to a lesser extent, France, and complicates it by showing its inevitable political implications. It then considers the phenomenon of bilingualism and the privileged relationship that England held with the continent, especially the Italian and French literary traditions. The volume initially addresses the way in which translators dealt with texts from the early medieval period. It is that positive inquisitiveness which this volume emphasizes. Translation practice creates a dialogic exchange between cultures, it recognises difference and diversity, both linguistic and cultural, yet it also shapes its new product for the use of an audience or readership that is concurrently aware of the reciprocal need to participate in that exchange, in order to improve its own culture. Rather, preceding the stages of appropriation and re-interpretation, it is positive inquisitiveness and openness towards linguistic and cultural difference that generate the production of a new text and the transference of culture from one sphere to another. The codification of the translation process as appropriation, transformation, or accommodation does not sufficiently emphasize the overarching curiosity and interest that motivates any translation activity. Translations from Latin into the vernacular, or from one vernacular into another, or even from a vernacular into the Latin language, are just a few of the many forms medieval translation can take. No other period relies so heavily on this literary process to construct its cultural identity. The contributions to this volume are organised in a way that bear out the vitality of translation activity in the medieval period and the resourcefulness of modern scholarship in addressing the phenomenon of translation at large. simplifies the process of constructing what amounts to a fully functioning bus, as just one example, but it's understandable for gameplay purposes. Acceptable Breaks from Reality: Hoo boy.You can beat the final boss at level 50, and unless you've grinded experience, you'll probably be below level 60 by the time you complete the epilogue missions. Absurdly High Level Cap: The maximum level is 99, but the only way it can be achieved is by playing for many in-game years, or repeating the 97th floor of the deepest ruin, more than a thousand times.Sandrock is also a Cowboy Episode for the franchise, set in a town suffering desertification, requiring water management and recycling scrap from the Old World to keep the workshop running. Sandrock is mostly in the same style as Portia, but the developers have stated that they have also taken some inspiration from Dark Chronicle this time around. Sandrock was eventually released in early access in May 2022, with a full release expected at some point in 2023. In October 2019, Pathea Games announced that they were working on a sequel, My Time At Sandrock. The game was later released on Apfor PlayStation 4, Xbox One, and Nintendo Switch. My Time at Portia was successfully Kickstarted on October 11, 2017, and afterward the game entered Early Access on January 23, 2018, seeing a full PC release on January 15 the following year. Armed with your Pa's workshop handbook and workbench, you must gather, mine and craft your way to being crowned the number one workshop in the whole of Portia! Side activities include farming, fishing, mining, dungeon delving, and plenty of others, including a Social Sim of sorts make lasting friendships, enjoy romantic dates star gazing, and embark on the adventure of marriage. Immigrating to Portia from the city, the player joins the peaceful community, and its local Commerce Guild, aiming to make their mark on the world. The game casts the player in the role of the child of a famous craftsman, who has inherited their father's decaying workshop after their father goes travelling. Centuries after a nuclear war has plunged the world into ruin, several agrarian civilizations emerged from the ashes, ready to begin anew. The game is set on a post-apocalyptic Earth, albeit a heavily fantasized version, complete with Steampunk technology and mythical beasts. However, crop harvesting and livestock raising are fully developed features, and the game has a major element of combat to it, as well as Dungeon Crawling. Also, unlike the above two, which are primarily centered on farming, Portia is instead focused on Item Crafting, as the game puts the player in control of a Builder. The game takes very heavy inspiration (self-admitted by the developers) from Marvelous' Rune Factory series, and to a lesser extent, Story of Seasons, albeit with a gorgeous Studio Ghibli inspired art style. My Time at Portia is a Simulation Game with heavy RPG Elements, developed by Chinese developer Pathea Games, and published by Team 17 Digital. Of course, introducing kids to online TV raises its own concerns, so if this is your kids' first experience with this, that is a factor to consider. Mako Mermaids marks a change in the tone of Netflix's original series, which previously had churned out only shows meant for an older audience. It's possible that this change could entice the boy demographic somewhat, but more likely it will just ramp up the appeal to the girls who are already watching. New to the mix is a male character, and a merman at that, which gives the show a distinct flair and a little more macho charisma. Hoping to reel in some of H2O's success with viewers, Mako Mermaids retains many touches of the original, most evidently the emphasis on three beautiful teen mermaids who aren't exactly best friends in the beginning but whose relationship evolves over time. It would be a great show for young girls but those over 10 will see my point. It doesn't involve anything horrible in it in terms of violence, a few power battles and an odd almost fight but it might be entertaining for those who haven't saw H2O. The messages are good but the friendships are very rocky in this. The only good role model is Serena really but she is way too perfect and can't say no. I know I'm comparing the two shows a lot but it is meant to be a spin off and I was hoping for a more modernised version of the show. Bella, from H2O, has catchy songs and back a few years ago I would listen to her non stop. I won't deny she can sing but it is overdone nowadays. They try to add music but her voice isn't suited to our pop music so instead she sings songs that nobody would ever listen to. The couples show no sign of liking towards each other and it so pathetic. Maybe I had too high of hopes but the character's personalities are split, sin isle got the other show and dear God please actually have actors who can actually act and show chemistry. The plot, though similar to Mako Mermaids, isn't prediactable and exciting and grips you from the start. The script is witty, more believable and has amazing effects. H2O has talented actors who actually got somewhere with their careers after(Claire Holt, Phoebe Tonkin) and can act. They didn't have a new plot but shoved in the same characters. They ripped off so many things, yes it's the same creators but they couldn't they think of something original? Camping on Mako, Ambergris, Pool Party, Exposed, Mako Island Gettinh Turned Into A Buisness, same moon effects etc. The acting didn't improve, unneeded new characters arrived, one leaves so they shove a few more in?! It was a rip off H2O, no surprise! I had expectations and I gave up after a while. The acting from them is better than others but still isn't fantastic. They can't walk on legs for a few minutes then suddenly are fine. Enters these two annoying girls out of nowhere, once again are bipolar, they're sweet, they're mean, they're moody, they're always happy. They abandoned their friend on their mission to search for a new home, surely Serena should of gone with them. By season 2 the only good actresses left the show, surely they realised that this wou don't end up well, the character explanation for the disappearance was stupid. This was meant to have new characters but Serenea was the perky, bubbly mermaid like Bella who always resolved fights, has a perfect girl next door character, can't tell the boy how she feels and amazing voice. They had no romantic chemistry on set and then again we had those rip offs of other characters. The acting from 'David' and 'Serena' was awful. Then this merman was in it and seemed to have to constantly be remind he had a six pack and was a rip off from H2O's Will. As the series changed I swear all the characters were bipolar, I coudln't pin point their personalities. I enjoyed the contrasting personalities and twist on the plot. I had high hopes for this spin off but it failed to meet them. I could on rewatch it on Netxlix and suggested came Mako Mermaids so I thought why not. As a huge H2O:Just Add Water fan I was disappointed when it stopped airing and only got three seasons. |
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